Musical excerpts from a reading of the new musical Happyland at ART-NY in Brooklyn in September 2025 (runtime ~9min). Lyrics from excerpted songs below, in order.
Cast: Judith Ingber, Sydney Weiser, Helen Laser, Sabrina Koss, Emma Freeman, Kathleen Armenti, Rebecca Flanders, Edward Simon, Jarrett Winters Morley, Nikita Burdein, Bradley Stein, Jordan Elman, Dominic Russo.
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POZNANSKI
MY NAME’S POZNANSKY, FIRST NAME GUS / BOY I’M FROM POLAND, DON’T MAKE A FUSS / I’M STRAIGHT OUTTA SHTETL, AND NOW I’M HERE GOT TO THE HOLY CITY ‘BOUT A YEAR AGO / BEEN AN ASHKENAZIC HALACHIC DYNAMO / I’M PROVING MY METTLE AND I HOPE THIS YEAR / THEY’LL GIVE THIS RABBI A LIFETIME DEAL / CUZ I BRING THE THUNDER IN MY PURIM SPIEL / CHARLESTON, I LIKE YOU, AND YOU LIKE ME BACK THE MOVERS AND SHAKERS, PLAY ‘EM ALL TO A T / WHAT’S THAT SMELL? IT’S JOB SECURITY / ALL I GOTTA DO IS FOLLOW THROUGH AND STAY ON TRACK
GOT A CHARLESTON LIFE, JUST NEED A CHARLESTON WIFE AND SOME CHARLESTON KIDS / WHAT WILL THEY SAY, YEARS FROM TODAY THAT THIS CHARLESTON RABBI DID?
I’M PAYIN’ DUES / I’LL MAKE ‘EM CHOOSE
ENSEMBLE
WILL YOU BE OUR FOREVER RABBI?
POZNANSKI
I WALK THE WALK AND I TALK THE TALK
ENSEMBLE
WE’RE BUYING STOCK / HE’S OUR FOREVER RABBI /WILL WE SEE YA ON THE BIMAH / FOR THE NEXT DECADE OR THREE-YA?
POZNANSKI
IS THIS MY HOME FOR GOOD?
ENSEMBLE
HE’S PAYIN’ DUES
MAKIN’ US CHOOSE
POZNANSKI
WILL I BE YOUR FOREVER RABBI?
ENSEMBLE
FOREVER AND EVER
POZNANSKI
FOREVER RABBI
ENSEMBLE
FOREVER AND EVER
POZNANSKI
FOREVER RABBI
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ENSEMBLE
FIRE BURNS, WE REBUILD WHERE THE COUNTRY’S LOW / JOY RETURNS, EARTH IS TILLED, PALMETTO TREES REGROW /OH, OUR STORY’S YET TO UNFOLD / OUR CAUSE, NOT LOST, CAN’T BE BOUGHT OR SOLD
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ENSEMBLE
CONGREGATION, CONGREGATION, US VS THEM, IT’S ALL FRUSTRATION
DAVID LOPEZ
MAKES ME WANT TO EAT A LIVE CRUSTACEAN
NATHAN HART
GOD I NEED A LONG VACATION
ENSEMBLE
IF TWO JEWS HAVE THREE OPINIONS / THEN THIS MINYAN WILL BE HERE TILL DECEMBER
SALLY LOPEZ & PENINA MOISE
WHAT SADIST HAD THE OPINION / THAT A SYNAGOGUE SHOULD EVEN HAVE MEMBERS?
ENSEMBLE
LET’S REBOOT THIS CONGREGATION
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SARAH
ONCE, A MAN BECAME A FATHER
JUNIOR
AND HE HELD THE BABY TIGHT CONSIDERING THROUGH THE NIGHT
SARAH
WHAT WOULD HIS CHILD BE LIKE
JUNIOR
AS HE LOOKED INTO HIS EYES / WOULD HE BE SIMPLE OR SILENT
SARAH & JUNIOR
WICKED OR WISE? WOULD HE BREAK DOWN THE DOORS OF OPPRESSION SO TALL? WOULD HE DANCE ON THE FLOORS OF BANQUET HALLS? AND THEN AT LAST AT THE END OF IT ALL WOULD HE BE WICKED, SIMPLE, OR WISE? BUT THE BABY JUST SPOKE WITH HIS EYES
ENSEMBLE
EYES
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SARAH
HERE WE GO, THE SUN IS LOW, WE’RE BACK AGAIN LIKE THE YEAR DID NOT EXIST, AT THIS TABLE / THE HUMID NIGHTS, FAMILIAR FIGHTS, AND WE DO IT TWICE, JUST LEAVE ME OFF THE LIST, I’M NOT ABLE
NOW EVERYONE’S PRETENDING LIKE THERE’S NO FORK IN THE ROAD / I’M FEELING TENSE, I’VE GOT A SENSE THAT SOMETHING HERE’S ABOUT TO EXPLODE
WHAT WOULD YOU DO IF THE WAR CAME HOME TO YOU / HARD TO SWALLOW BUT WOULD YOU FOLLOW ME / WHAT WOULD YOU DO, WOULD YOU STAND FOR SOMETHING NEW / HARD TO SWALLOW BUT WOULD YOU FOLLOW ME / INTO THE NIGHT, THIS DIFFERENT NIGHT
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POZNANSKI
THIS SYNAGOGUE IS OUR TEMPLE / THIS CITY, OUR JERUSALEM / THIS HAPPY LAND, OUR PALESTINE / AND AS OUR FATHERS DEFENDED WITH THEIR LIVES / THAT TEMPLE, THAT CITY, AND THAT LAND / SO WILL THEIR SONS DEFEND THIS TEMPLE, THIS CITY AND THIS HAPPY LAND!
GRACE
EVEN WHEN THE GOOD OLE BOYS ARE UP TO NO GOOD, JUST SMILE BACK, IT FEELS LIKE A WIN / SEE THE TREND, WE’RE GETTING TREATED LIKE WE KNOW WE SHOULD, HERE IN CHARLESTON AND OVER THERE IN BERLIN!
ENSEMBLE
OVER THERE IN BERLIN! / IN BERLIN, WE’RE SO IN!
ENSEMBLE
WHAT’S MORE AMERICAN?
GRACE
WHEN YOUR HOME IS HERE IN ROME, DO AS THE ROMANS DO
ENSEMBLE
WHAT’S MORE AMERICAN?
GRACE
OUR FATE ASSIMILATE INTO THIS SOUTHERN STEW
ENSEMBLE
WHAT’S MORE AMERICAN?
GRACE
NO MORE TREATED LIKE THE OTHER UP AGAINST THE WALL
ENSEMBLE
WHAT’S MORE AMERICAN?
GRACE
AND TO LIVE THE SOUTHERN LIFE YOU MUST ACCEPT IT ALL
ENSEMBLE
WHAT’S MORE AMERICAN? WHAT’S MORE AMERICAN? WHAT’S MORE AMERICAN?
GRACE
THAN THAT?
ENSEMBLE
THERE’S A PLACE WE ALL LOVE WHERE THE COUNTRY’S LOW
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POZNANSKI
NO STANDING APART, NOW WE STAND TOGETHER / ONE LAND, ONE HEART, THROUGH THE SHIFTING WEATHER / WEAR THEIR CLOTHES AND CUSTOMS, BIRDS OF THE SAME FEATHER / WE MAY BE CHOSEN BUT HERE THINGS ARE BETTER / WE MAY BE CHOSEN BUT HERE THINGS ARE BETTER…
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HETTY
I REMEMBER THE FEELING, DISTANT AND FLEETING SITTING IN SHUL WITH MY DAD / THE MELODIES HE’D HUM AND THE WORDS HE WAS READING, THE WORLD THEY CONTAINED FELT SO GLAD / AND I KNEW THAT I KNEW THE SOLUTION / THOUGH I BARELY KNEW THE EQUATION / AND THE DARK SKY SHONE BRIGHT WITH THE LIGHT OF A THOUSAND GENERATIONS
SARAH
I SANG ALL THE SONGS, SITTING IN CIRCLES IN THE DARK OF THE SUMMER TREES / I PRETENDED TO KNOW ALL THE WORDS WHEN I DIDN’T, IN THE HUMID AUGUST BREEZE / ALL THROUGH THE NIGHT I WAS WRAPPED IN THE WORDS OF OUR ANCESTOR’S REVELATIONS
ENSEMBLE
AND THE DARK SKY SHONE BRIGHT WITH THE LIGHT OF A THOUSAND GENERATIONS
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ENSEMBLE
OH GIVE ME ONE MORE DAY IN THE EYE TO CATCH MY WEARY BREATH / TIL I’M RUNNING, RUNNING, RUNNING FROM THE ROAR / OH GIVE ME ONE MORE NIGHT IN THE CALM, WHERE I KNOW IT’S A MATTER OF MOMENTS TIL I’M RUNNING, RUNNING, RUNNING SOME MORE
THERE’S ANOTHER HURRICANE AND WE DON’T DARE TO LOOK AWAY…
Synopsis
Happyland is a sweeping new musical set in Charleston, South Carolina, in the decades leading up to the Civil War, inspired by true events surrounding Kahal Kadosh Beth Elohim, the birthplace of Reform Judaism in America.
At its center is Rabbi Gustavus Poznanski, a young Polish immigrant rabbi who arrives in Charleston seeking stability, belonging, and a permanent home. Charismatic and idealistic, Poznanski quickly becomes beloved by his congregation—and marries into one of Charleston’s oldest Jewish families.
But Charleston in the 1830s and 1840s is a paradox: a city of refinement, tolerance, and opportunity for Jews, built atop the brutal machinery of American slavery.
As Poznanski settles into family life and secures a lifetime contract, the synagogue becomes divided over whether to modernize its religious practices—specifically, whether to install a pipe organ, a radical act that would signal a distinctly American Judaism. What begins as a theological debate becomes something much larger: a test of how far a community is willing to evolve, and how much moral compromise it is willing to tolerate in order to belong.
Happyland is not a story about villains. It is a story about good people making understandable, consequential choices inside immoral systems—and about the haunting cost of choosing comfort over courage.
Show History
Commissioned in 2024
May 2025 Workshop at the Porgy & Bess house on Folly Beach, SC
Sep 2025 Reading at ART-NY in Brooklyn, NY
Upcoming: Site-specific production in Charleston in June 2026